Archive for the ‘rain’ Tag

The Reintroduction: Impending Rain   9 comments

This is the first of several reintroduction posts in anticipation of resuming this blog for the fall, winter, and hopefully beyond. I’ve been absent for multiple months now, so I’ll be setting the stage of where I am right now and what’s been happening in my life. That will all lead into my plans for this blog over the next several months, which are going to be tweaked a bit from what I was doing last winter.

It’s good to be back.

— ∞ —

It’s hardly rained since I last posted here.

Some days it feels so dry. The humidity is low. The deep blue September sky has transitioned to the deep blue October sky. The sun is surprisingly harsh. I’ve noticed the last few years—once I began farming—how intense the September sun is. Even though it’s usually cooler than in August, direct sunlight seems somehow merciless, more draining than during the hotter days of July and August. This year has been no exception. September was a month of almost no rain and few clouds or fog, even. Just intense sun.

In fact, July through September was the driest on record in Portland. While I’m not sure if that holds true out here on the coast as well, it’s been one of the driest summers here, too. I’d guess we’ve received maybe an inch of rain in those three months, and there’s been none so far this month. The couple rains we did receive wet things down but did little else. It never penetrated deep into the soil.

The creek we get out water from is low. The creek at the farm just down the road I worked on last year is almost dry, though there’s still enough behind the small dam to supply their water. It shocked me, though, when I walked back there about a week ago and saw the stagnant puddles and mere hint of trickle that now makes up the creek I normally know as a healthy flow. The direct and immediate connection to water out here keeps these dry days ever more present in the mind.

The pastures are brown and thin, yet the cows and sheep still seem to be finding food. We’ve been feeding hay, but not massive amounts. The animals are mostly staying out on the grass—dead as it appears—for the time being, rather than spending most their time in the barn where the hay can be found. Last week, the wind kicked up, though now it’s died back down. It was nice in the sense of variety, but it further dried things out. I could feel it on my irritated skin, my chapped lips, in a strong desire for a good rain storm that continues even now.

Of course, this is nothing like what the Midwest has seen this year. I don’t mean to be wringing my hands so much as describing the reality out here—a reality so different from the one I experienced last summer when we received semi-regular rain even during our dry months. We normally receive 90-100 inches of rain annually and the winter months are dominated by clouds and rain. It’s odd to have gone so long without any good storms, without the occasional dumping of precipitation. It feels so antithetical to this climate. In many ways, of course, it’s been nice and I think a number of vegetable growers are appreciating it, even if they are starting to feel the need for a good rain storm. But working now on the animal side of things, I see these dry pastures and hear about the hay bills, eye the barely-trickling creeks and see this flip side of the coin—the danger of too little water. Luckily, we had a wet spring, so we had a good base from which to deal with this dryness.

Still, it’s been interesting seeing the reactions even of my friends who hate all the rain we get in the Northwest. Most all of us are feeling ready for a storm—even those who aren’t eyeing a low creek or worried about feeding animals. Sure, we love the sun we get—especially with how limited it is in this region—but the reality is that we’re all adapted to a climate that just normally isn’t this dry, even during our natural drought months. The leaves are turning and dropping, and yet it still doesn’t quite seem like fall. The wind and rain is missing. The dark dreariness. That constant wet chill. It’s not the loveliest sensation in the world, lord knows, but it’s what should be. And so it’s missed.

In 1952, after receiving only a half inch of rain from July through September in Portland, it stayed relatively dry all through November. Hopefully that doesn’t happen this year; it’s not appearing that it will. The rain is supposed to start tomorrow and we may be in for as much as five or six inches over the next few days here in the coastal range, though the models seem to be backing off that extensive a scenario. A possible deluge, perhaps. A good rain, almost surely. A reprieve, for sure.

“It’ll make up for it,” one old farmer’s said to me about this dry weather. I suspect that’s true. While the rain beginning tomorrow may be followed up by another dry spell to close out the month, I suspect November’s going to be a soaker. It probably won’t be long before we all forget just how dry this summer has been. It won’t be long before we’ll be dying for a cold, sunny day—anything to remind us that the sun’s still out there, that our little star hasn’t collapsed and disappeared. Anything for a break from the constant dreary drizzle and downpour, the multiple different types of rain, each of which we have names for here, sometimes all of them falling in the same day. But still, I can’t wait for that first heavy rain and wind, to see these falling leaves through a prism of water, to hear the creeks roaring again and watch the mud and muck build, as annoying as it is. It’s not the most glorious of conditions, but it’s ours. I look forward to that (literal) cold comfort.

Posted October 11, 2012 by Joel Caris in Farm Life

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The Desert Tells   12 comments

An entry in the Encounters series

Six weeks ago, I walked amongst the red rocks surrounding Sedona, Arizona. I was in Sedona after having driven my mother there and was able to take a few days to enjoy the local landscape, to sit in the sun and read, to walk in the desert and reconnect to a place I had visited once fifteen years before, when I lived in Arizona for a year. Ever since that year, I’ve felt a connection to the Arizona desert landscape and didn’t hesitate to take advantage of the chance to return to the state.

Bell Rock. Taken by Ken Thomas.

Twice while there, I walked the trails looping around Bell Rock and Courthouse Butte, winding my way across the red sandstone and between the twisting Junipers, the trail dipping down into washes and scaling rock outcroppings. On February 4th, I skirted around Bell Rock and took Llama Trail, which meandered away from Courthouse Butte. I lost myself in the rhythm of the hike, my breath syncing with my steps, the landscape unfolding around me. A bounty of birds flitted about in the branches of the surrounding Junipers—which were short and squat, hunkered down low to the ground—and I would stop on occasion to watch them for a few minutes, their quick and jerky movements mesmerizing. The day was a bit cool, the temperature in the fifties with clouds passing overhead. The sun peeked out at times but proved hidden more often than not. As I traversed farther along Llama Trial, the passing clouds turned dark and borderline foreboding, kicking up winds that suggested an oncoming storm.

Climbing up and out of a wash, I crested a small hill and came out the other side of a stand of trees, looking upon a wide expanse of red sandstone marked with small cairns. Off to my right, nearby cliffs towered high, as red as all the other rock and dotted with trees. Beyond the cliffs stretched the sky—and a series of heavy clouds promising rain. I carried a rain jacket in my backpack but no other rain gear. I hoped that any rainfall wouldn’t be too heavy.

In the middle of that stretch of sandstone sat a pair of large rocks, one of them perhaps three feet in diameter and the other a bit smaller and higher. A cairn balanced upon the smaller rock. I walked over to those rocks as an increasing wind stirred around me. From the vantage point of the two rocks, I saw a series of shallow pools forming a line in the sandstone, the worn cavities holding stagnant water from the previous rain. I dropped my backpack on the ground, next to the larger rock, and then went to one of the cavities, kneeling to inspect it. A dead scorpion caught my eye at that moment, its dried husk of a body perched on the rock about a foot from me. Just as I focused on the scorpion, a rain drop hit the stone right next to it, creating a sudden and surprising, tiny burst of darkness. It startled me. I glanced up at the dark sky and then over at the cliffs to my right. There, a mist in the distance—a fuzzy opacity in front of the cliffs. Rain falling. Moments later, more rain arrived, increasing in scale and intensity. The rain patterned the rock around the dead scorpion. Ripples spread in the small pool of stagnant water.

What am I to do in places like this, at such moments? I considered this as I retreated back to the pair of large rocks, toward my backpack and rain jacket. The wind grew stronger and the rain continued to fall, insistent but not overpowering, not yet drenching. I wondered how long the storm would last and how strong it would become. I could have retreated at that moment, beating a path as quick as possible back to the parking lot, but even that would have been something of a futile effort. I had no car at the parking lot—only the prospect of a further walk back into Oak Creek and the condo at which I was staying. Furthermore, I didn’t want to retreat. I wanted to experience. What am I to do in this situation? Abandon the desert, taking shelter somewhere inside, in an insulated building in which I can’t even here that it’s raining, in which I can forget what the world is doing and instead exist in my own oblivious comfort? Turn my back on the desert when it doesn’t provide my every comfort, a perfect encapsulation of my desires? Or sit on a large rock and welcome the storm, feel the water against my skin, the wind slipping around me, and smell the wetting of the desert rock and sand? I donned my rain jacket and chose the latter, settling myself upon the larger of the two rocks, crossing my legs and facing away from the nearby cliffs, looking out toward Bell Rock, the red ground, and the twisted Junipers.

As I sat there, staring out into the desert, the wind blew hard against my back, driving rain against the back of my head. The wind and rain were cold, but not freezing. Rather than discomfort, I felt exhilaration at the power of the weather—the heaviness of the clouds above me, the force of the wind, the abandon of the rain. The water opened up the sands and the desert plants, bringing forth a familiar and comforting scent. I reveled in the fluctuating sensations the storm provided.

Rain splattered against the stretch of sandstone in front of me, creating intricate patterns on the rock. As the wind blew, it brought the rain in waves. The waves painted the rocks—a visual representation of the wind pattern. Even as I watched it, though, the sun emerged from behind the patchy storm clouds and shone down as the rain continued to fall, alighting each drop on the stone, illuminating the wind’s pattern. As more rain fell, each hit upon the rocks created a short burst of reflected light and before long I saw the wind’s pattern in the waves of light—a rhythmic pulsing of cold wind and water coupled with the sun’s light, the collaborative art of the elements. It was beautiful. It was a magic, far better than any Christmas light display.

I marveled at all this. The visuals, the sensations of the storm against my skin, the sound of the wind flowing across the desert land and through the trees, the push of that wind against my back, the simultaneous chill of the wind and rain on the back of my head and the warmth of the sun on my front. It all came together to create a weaving of contrasts, a heightening of sensation that thrilled me. It awoke and inspired. It lasted long minutes that weren’t long enough.

Eventually the squall passed. The wind calmed and the rain trailed off, the sun-accented patterns on the ground drying and disappearing. I sat on the rock for awhile, holding onto and reviewing the memory. I thought of what it meant to be out in that power and restrained fury—at how much of a presence could arise in so little time, uncontrolled by us humans but capable of so much consequence. I recalled that first surprising moment of the rain drop next to the dead scorpion, its sudden appearance at the exact moment I trained my focus on the scorpion shocking me into the present world. I thought about sitting on the rock in the storm and how it might contrast with sitting under a tree, or under a rock ledge, in a yurt where I could hear but not feel the storm, or in an open field. I breathed deep the smell of the wet desert and for a few moments I stared at the cairn on the rock next to me, wondering about the person who had made it, about their love of this particular place.

Then I slipped off my rain jacket, returned it to my backpack, shouldered the pack and continued on. I continued following the Llama Trail for awhile until I stopped, pulled a small notebook from my back pocket and a pen from my front, and wrote, No machine, no matter how powerful it makes us feel or how much destruction it lets us wreak, can make us gods. Those machines are as dependent on the wide world as we are, and if we continue to degrade our home, they will fall first—followed shortly by us.

No machine is as powerful as that small storm. No human being is as significant. And nothing we’ve ever created is worth disavowing that beauty and power and exhilaration. Sitting on the rock, in that storm, I remembered how small I am as a human on this planet and how big the world is—how huge and daunting and empowering this world is, every day, if only we’ll acknowledge it. Everything we create is a piece of that world. Everything we create is subordinate to it.

We need those kinds of storms to remind us of this. But we need them, also, to remind us that such a reality is a good thing. If we could tame such storms through our creations, the world would be a lesser place. If the world was of our making rather than something far larger than us—far more complex, mysterious, magical and incomprehensible—than it would be a lesser place. I’m happy we’re subordinate to the world and not the other way around. I’m comforted by it, in fact. It means that there will always be those moments when the world takes me over, surprises me, asserts itself in the most unexpected of moments and makes me remember who I am, where I am, and how little I know. It can be just a rain drop, at just the right moment. It can be the art of sun and wind and rain. It can be hot and cold at the same time—front and back, two powers meeting. It can be the world, finding me on a desert afternoon, out on the rocks with nowhere to go. But it’s all beauty, and power, and magic, and appropriate. And I’m thankful that I was there that afternoon, that I saw the world’s beauty in a way I never had before. I’m thankful to have been reminded in that moment of how small I am and how large and unexpected the world is.

I’m thankful for what the desert told.

The Juxtaposition of Comfort   4 comments

A major storm hit us today, dropping multiple inches of rain–including one particularly insane stretch of a downpour–and sweeping heavy winds across the farm. Facing such inclement weather, Brian decided to fire up the hot tub, which sits under a roof as part of the farm’s solar bath house but is otherwise exposed to the outdoors, making it a particularly alluring experience on a night such as tonight. The extreme comfort and relaxation of soaking in hot water contrasts nicely with torrential rain and driving wind–the discomforts of a particularly cutting storm.

While the rain had tapered off by the time I was soaking, the south wind had kicked into high gear. Occasional, loud gusts would swirl around me, the air cool and insistent and charged with an uncommon power. As the gusts hit, I found myself sitting up in the hot tub, exposing more of my upper body so I could feel the air–that energy, that coolness–and revel in the juxtaposition between it and the hot water that otherwise engulfed me. This juxtaposition of sensations reminded me of the often-noted idea that to appreciate something, you have to experience its opposite. The comfort of that hot water was, in a certain way, offset by the blustery cold of the wind. By raising my body from the hot water to feel the cold wind, I better appreciated and experienced both sensations–either one heightened by the contrast with the other.

The way the hot tub is heated, at least in the winter, is via a wood-fired stove. Water siphons through an intake pipe near the bottom of the hot tub, heats as it circulates through a pipe in the stove, then streams out of an opening above the intake. The water continually circulates, slowly heating the entire tub. The water coming out of the stove eventually becomes extremely hot and, as you sit in the tub, a layer of that very hot water forms at the top of the tub if you’re not circulating the water yourself. This layer makes itself particularly apparent when you sit up, as your upper body passes through that hot layer, creating–for me at least–a tightening of the chest and a brief moment of discomfort and shortness of breath. It’s not so extreme as to feel dangerous, but it provides a juxtaposition between the hot and the very hot, the comfortable and the uncomfortable.

As I experienced these contrasting sensations–the differing levels of hot water, the hot water and cold wind–I couldn’t help but again think of the ducks. The storm-heightened comfort of the hot tub seemed another version of my musings on the ducks. Their seeming ability to stay comfortable in the storm (and based on my observations today, they were plenty enjoying the storm) spoke, I imagined, to their enjoyment of it. Similarly, I spent the rainiest stretch of the day in my yurt reading, with the wood stove going, luxuriating in the warmth and the deafening sound of rain pounding upon my little home. This was the height of comfort for me: another good book, a dry wood-burning heat to contrast the drenching rain outside, and the understanding that the deafening roar around me was cold, nasty, driving rain that I did not have to be in. I had my warmth, I had my shelter, and I had my comfort even as all the opposites raged outside.

This, then, is part of the beauty of living simply, even of living in what can be defined as poverty. By living in a yurt–a very simple structure–I stay connected to what is happening outside. I hear the wind and the rain, I feel the cold and damp if I don’t have my wood stove cranking and I can very easily bring in a warm summer’s night breeze by opening the door and cracking the dome on the roof. Outside activity is accessible to me. In most houses, that isn’t the case at all. Rain often cannot be heard at all, unless it’s particularly heavy, and it’s the same for wind. What’s happening outside can easily be a mystery. Climate control, as well, can negate the impacts of the heat and the cold, keeping an even temperature at all times. In fact, the act of heating or cooling a space is often not an act at all, but an automation, maintained by machines with only the barest of provocation of humans: the turn of a thermostat. I can certainly heat my yurt, but it involves me actually building and maintaining a fire, and is thus a conscious act rather than an automation. As such, it helps to keep me in tune to what is happening around me. It makes me think about my comfort and to take responsibility for creating it.

I think this is good. And I think climate control is in many ways bad. In attempting to automate comfort, we lose sight of it. In living in environments in which comfort is a constant, we forget what comfort is. When it’s always 72, you cease to appreciate it. When it’s always warm inside while cold outside and always cool inside when hot outside–and you never play a direct role in making it so–then you often cease to even understand what hot and cold is. You become a slave to constant, moderate temperatures and your body loses much of its ability to adjust to anything else.

We’ve built, purchased, engineered and automated comfort to such an extent in our society, I think we’ve lost sight of what comfort is. We need the contrasts–the juxtaposition of comfort and discomfort–to keep us attuned to the reality of comfort and to allow us to appreciate it. We need cold mornings so we can burrow into–and fall in love with–our warm beds. We need the sound of rain on the roof–not to mention an occasional, or perhaps regular, drenching–to appreciate being warm and dry. We need, too, the actual act of creating our comfort so that we can understand it as something we do for ourselves, rather than something that just occurs, automated, always. Comfort is special and resonant and it can only remain that way if we don’t normalize it, don’t automate it, and allow ourselves to be uncomfortable at times. We need that juxtaposition so as not to slip into a life of sleepwalking, divorced from sensation and severed from true contentment.

Posted November 22, 2011 by Joel Caris in Farm Life

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A Short Meditation on Ducks   1 comment

Today was supposed to be a particularly stormy day for us here on the Oregon coast. Up to two inches of rain was forecast, along with high winds. I found myself looking forward to this. While we’ve certainly had a fair number of rainy days since fall set in, we haven’t had a two-inches-of-rain sort of day. I imagined hunkering down in my yurt, the wood stove fired and keeping out the chill, listening to the pounding rain as I immersed myself in a good book.

While the storm didn’t end up being quite the rager as originally predicted, I did find myself hunkered down in my yurt for the first part of the day, along with the aforementioned good book, the hot stove, and the sound of rain all around me. We didn’t get the advertised two inches and the winds didn’t kick in until later in the afternoon–and weren’t as bad as predicted, either–but the rain was heavy enough to turn at times cacophonous and create a mesmerizing aural and visual backdrop.

Within that visual backdrop, not far from my yurt, were the farm’s eight ducks. (It used to be 14, but one or more raccoons recently gained a couple meals from the flock, sadly.) As I noted on Twitter a few weeks back, our ducks and chickens have different, distinct reactions to stormy weather. While the chickens tend to huddle under a tree or simply give up and go to bed early when it’s particularly rainy, the ducks grow ever more active and ecstatic as the rain increases. A torrential downpour and furious wind seems only to encourage them–to set their stubby tails wagging with greater energy and frequency, thier beaks digging beneath grass and weeds with ever more purpose and conviction. When I let them out of their house this morning, they ran out into the wet, cold and wind with a joy and abandon I couldn’t help but find contagious. They bobbed their heads, wagged their tails, searched for bugs and quacked heartily at each other.

As I watched, I couldn’t help but to wonder what it might be like to be a duck in a rainstorm. Their joy spoke to something natural–to a sensation that surely must fulfill whatever innate sense they hold as to what it is to be a duck. And I couldn’t help but wonder if being a duck in a rainstorm is not unlike a heightened sense of me being myself in a warm yurt in the same rainstorm. As I curled up later that morning with a good book, a fire crackling in the wood stove and heat radiating from it, listening to the rain hit my yurt but staying dry within, I felt a deep comfort from knowing what could be and having, instead, the opposite–existing within the best definition of coziness: a small warm space protected from the cold and wet beyond. What if being a duck in a rainstorm is simply a greater version of that sensation? Imagine the wind whipping around you, the rain drenching you, but your body being impervious to it. The rain runs harmlessly off your feathers and the wind slips around you, no better able to penetrate those feathers than the rain. You are warm and you are in your natural element–wet, perhaps a bit muddy, but comfortable. Not only is the wind and rain unable to touch you, but it invigorates you. Its power and primacy is potent, yet it brings you only comfort and joy. The raindrops feel good as they slide off you, providing a pleasurable sensation engrained deep into your genetics, triggering that sense deep within that comes whenever you bob upside down in a body of water, searching for food–perhaps even mystery–flowing that water over you, eating and drinking and feeling, engaging. To be a duck in a rainstorm–is it like a long, hot shower or a soak in a hot tub on a cold night? How does that feel?

I wish I knew. I know I like to be in a small, warm space when it’s raining outside, able to hear the hit of those drops but not having to feel the discomfort of being cold and wet. I know I like being in effective rain gear in a storm, able to feel the vibrations of the raindrops hitting my gear and feel the wind against my face, pressing against my body, but not suffering the cold and wet discomfort of being exposed. But what would it be to be naked and invulnerable? To be able to feel it so much more directly, yet still maintain your comfort?

Surely it would be exhilarating.

When I watch our ducks in the rain, I feel that–small and incomplete, but joyous just the same. I stand in the rain long enough for a smile, for a few moments of shared pleasure, and then I retreat back to my warm home–to my good book and the muted echo of rain and all that infrastructure of dry comfort.

Posted November 16, 2011 by Joel Caris in Encounters, Farm Life

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